House of Reeds

In five short centuries, the mighty Empire of the Méxica, descendants of

the ancient Aztecs allied with Imperial Japan, has spread out to

conquer the Earth, left the homeworld, and set its sights on the

stars. But the universe is a dangerous place, filled with hidden

powers and the relics of ancient civilizations. The Méxica are only the

latest of the great Imperial powers to reach for the stars.

But that doesn’t stop Imperial Méxica from claiming control.

Xenoarcheologist

Gretchen Anderssen

had hoped to enjoy her well-earned vacation.

She

hadn’t seen her home-world or her children for many months. But the

Company has other plans for her – when she checks in for her transport,

she finds new orders for her team. It looks like only a small

diversion – a quick trip to the Planet Jagen, to investigate reports of a

possible First Sun artifact.

She doesn’t have to run an excavation,

or even gain possession of the artifact.

Just file a report. But it

smells bad, says Gretchen’s Hesht companion, Magdalena. David Parker,

the Company pilot assigned to Anderssen’s analysis team agrees.

And

they are so right.

Gretchen, Magdalena, and Parker find

themselves in very dangerous territory indeed.

Because, unbeknownst to

anyone at the Company, the Imperial Méxican Priesthood has decided to

wage a war on Jagan – a war not of conquest or defense, but a “flowery

war”, planned and fomented for the purpose of blooding the Emperor’s

youngest son. Gretchen and her team are headed right into the middle

of the battle.

It may be a War of Flowers, but many people will die, and blood will flow in the streets.